John McGahern (1934-2006) believed that fiction could act as a window on the world. Such windows, however, frame our fields of vision, alter and shape our perspectives. Far from being static, the artist’s perspective must continually evolve. This book provides a literary analysis of John McGahern’s artistic and poetic vision – his ‘ways of looking’, examining the shifting focus of this vision: how and why it develops, what effects such developments have on the work’s forms, and how these forms evolve, at what times and in response to what stimuli. This volume demonstrates that such developments mirror an analogous social expansion during the latter half of the twentieth century and argues that McGahern’s literary spaces relate to his efforts to realise a more accommodating form to envelop the structureless society. While the number of critical studies on McGahern has increased markedly in recent years, research still tends to fall into the well-established camps of social realism or literary aestheticism. This text aims to explore the common ground between the material context and social worlds of each work and the hermeneutics of a ‘traditional’ literary investigation. It traverses such divides through close readings of McGahern’s work, with attention to the topopoetical production of images of the house, the home, and the family unit. The book ultimately shows how attention to McGahern’s literary spaces provides a greater understanding of the aesthetic, vision and form of each novel, and allows us to understand those aspects relative to the social, cultural and political undercurrents of the works individually and collectively.

A crisis is a period of uncertainty that may or may not lead to disaster, depending in part on the capacity of actors to make sense of what is happening and respond effectively. Disasters in different spheres occur and recur at different speeds and in idiosyncratic ways, but in essence they follow the same pattern. In the wake of the Global Financial Crisis and Eurozone upheavals this timely book argues that the disaster cycle - a framework normally used in the context of natural disasters - is equally applicable to the analysis of other types of catastrophe.Employing a modified version of the disaster cycle framework to compare and analyse a range of catastrophes in different spheres, the author draws on ideas from a variety of disciplines including economics and economic history, disaster studies, management, and political science. This unique comparative approach presents case studies of several important disasters: Hurricane Katrina, the First World War, the depression of the early 1930s, Welsh coal mining accidents, the deadly effects of smoking tobacco, and the Global Financial Crisis and Eurozone catastrophe of the early twenty first century. The author argues that economists and economic policy makers routinely misuse the term crisis to describe episodes that ought to be called disasters. This accessible and fascinating exploration will appeal to students and scholars in economic history, disaster studies, management, public policy, and related disciplines. The comparison of crisis and disaster management is also essential reading for policy makers.

Taylor Lautner stars in this action thriller about a young man who sets out to uncover his true identity. Nathan (Lautner) is an ordinary teenager whose life is blown apart when a classmate spots his baby picture on a missing person's website. Nathan begins to suspect that his 'parents' are in fact secret agents, and must fight tooth and nail to get to the bottom of the sinister plot behind his so-called reality. Maria Bello, Alfred Molina and Sigourney Weaver co-star.

A concsie, comprehensive textbook on twentieth century Britain inclding thematic chapters and case-study chapters on key periods and topics that will engage attention. British History is still widely studied and this book provides an up-to-date survey of that history. The book is fully updated and engages with the most recent historioigraphy as well as what people said they needed, such as more qunatative approaches, movement away from the binary focus on pre- and post-1945.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie. This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

John Singleton's sequel to 'The Fast and the Furious' - which brought stardom to Vin Diesel. Diesel decided not to reprise his role but Paul Walker did. Former undercover cop Brian O'Conner (Walker) finds himself on the trail of another group of underground car enthusiasts in an attempt to redeem himself after his illegal escapades in the first movie. This time the location is Miami, where O'Connor has been making money out of street racing, and he is asked to bring down the drugs baron Carter Verone (Cole Hauser) in exchange for erasing his criminal record. Enlisting the help of an ex-con (Tyrese), O'Connor once again finds himself raging through the streets in stolen cars.

A concsie, comprehensive textbook on twentieth century Britain inclding thematic chapters and case-study chapters on key periods and topics that will engage attention. British History is still widely studied and this book provides an up-to-date survey of that history. The book is fully updated and engages with the most recent historioigraphy as well as what people said they needed, such as more qunatative approaches, movement away from the binary focus on pre- and post-1945.

The articles in this special issue cover the history of women in the economics profession, a largely male-dominated academic field. Contributors explore the many ways in which women have contributed to economics, particularly the careers that women have made (or not made) while confronting discouragement and discrimination. By placing the status and role of these women in historical contexts, the authors seek to enrich our understanding of economics in the twentieth century. Contributors: Rebecca Gomez Betancourt, Jennifer Burns, Cléo Chassonnery-Zaïgouche, Jennifer Cohen, Camila Orozco Espinel, Evelyn L. Forget, Andrés Guiot-Isaac, Erin Hengel, Daniel Hirschman, Marianne Johnson, Christina Laskaridis, Sarah Louisa Phythian-Adams, John D. Singleton, and Sarah F. Small

This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.

This book analyzes the competitive forces which dominate this major sector, and traces how the nature of competition has evolved during the last two hundred years. Through an analysis of key factors, including demand, related and supporting industries, firm strategy, structure and national rivalry, chance and government policy, the author explains how and why the locus of competitive advantage in textiles and apparel has moved from country to country, particularly in the period since 1945.

In this modern study of the causes of nationalization, experts in British industrial history analyze the public ownership debates, and explain how many well-informed and moderate groups came to believe that the public ownership of certain major industries would be economically beneficial. During Attlee's Labour governments of 1945-51, a number of important industries, including coal, electricity, the railways and gas were taken into public ownership, and legislation was passed for the nationalization of the steel industry. It was then argued that nationalization would lead to an improvement in the efficiency of these key sectors, on which the rest of British industry depended for inputs. Today, such a policy would be almost unthinkable. This study examines the historical issues and uses detailed case studies of industries to explore the public ownership debate.

Likely places of learning in Japan include folkcraft village pottery workshops, the clubhouses of female shellfish divers, traditional theaters, and the neighborhood public bath. The education of potters, divers, actors, and other novices generates identity within their specific communities of practice. In this volume, a collection of nineteen case studies of situated learning in such likely places, the contributors take apprenticeship as a fundamental model of experiential education in authentic arenas of cultural practice. Together, the essays demonstrate a rich variety of Japanese pedagogical arrangements and learning patterns, both historical and contemporary. All cases respond to the call for a new focus on "situated learning", an educational anthropology of the social relations and meanings of educational process.

Mark Wahlberg stars in this revenge thriller. When their mother is murdered during a hold-up in a local grocery store, her four adopted sons decide to take the law into their own hands and find the man responsible for the crime. As they investigate, they discover that Jeremiah's (Andre Benjamin) dealings with a local criminal (Chiwetel Ejiofor) may have something to do with the case, and that the two policemen investigating the murder may not be quite what they seem.